Inspired by the restoration of Sunday Cottage, a 325-year-old cottage in the English countryside, this collection explores home as a living archive of memory and craftsmanship. Discoveries of historic wallpapers and decorative fragments within the cottage informed a series of designs that respond to, rather than replace, the stories already embedded in the space. Each pattern was drawn entirely by hand using dip pen and ink, preserving the character, variation and authenticity of the human mark. Inspired by wild hedgerow roses, seasonal growth and birdsong, the collection reimagines curtains as storytellers within the home—objects that hold memory, shape atmosphere and contribute to an ongoing narrative of place.

Robins & Roses is a visual love letter to my homeland in southern Utah, with the American Robin as the connecting thread throughout the collection. The work is rooted in the naturalist drawings of John James Audubon's Birds of America and the paired bird and rose vocabulary that runs through 17th and 18th century American crewelwork. Roses, sagebrush, prickly pear, desert willows, cattails, and apple trees form the local botanical language. Six original patterns sit together as a family featuring two heroes, two coordinates, and two blenders. Each offered in two colorways across a warm earth palette of rust, sage, cream, and taupe. Curtains as art, drawn in the old way for the rooms we live in now.

Filtered Light began with a simple question: What if curtains could shape light the way nature does? Filtered Light is a collection of sheer curtain panels inspired by one of nature’s most fleeting experiences: light passing through the world around us. Inspired by sunlight filtering through trees, reflecting across water, glowing behind clouds, or scattering through rain and branches, the collection transforms windows into atmospheric filters that shape light, shadow, and movement throughout a space. Designed as full scale architectural panels rather than traditional repeating surface patterns, each design balances openness and density to create shifting projected shadows that change throughout the day alongside the natural light. The curtains take on a neutral quality when pushed to the side but then come alive when interacting with light. From a glow, like an art piece emerging from the fabric, to shadows projecting into the interior, the character will change as varying qualities of sunlight pass through each panel. These moments can feel similar to sitting beneath trees, watching reflections move across water, or observing light glowing through clouds and rain. This collection offers a fresh perspective on what window treatments can become. Rooted in biophilic design principles, Filtered Light brings the restorative qualities of nature indoors, transforming everyday sunlight into moments of atmosphere, calm, and connection.

I developed Interlaced Memory as a way of rethinking the curtain beyond a purely decorative object, proposing it as a living archive where material, memory, and space intersect. The collection is rooted in the structural language of Bauhaus textile design, where warp and weft operate both as construction and visual expression. I explore geometric systems, subtle irregularities, and the tactile qualities of handwoven textiles, translating traditional craft into a contemporary visual language. Through layered grids, rhythmic repetition, and optical depth, the patterns interact with light and movement, allowing the curtain to shift in perception throughout the day and actively shape the atmosphere of a space. The collection is structured as one cohesive design system composed of 12 coordinated patterns across three distinct color narratives — Earth Heritage, Biophilic Sanctuary, and Nordic Twilight. Each narrative is designed to evoke a specific spatial mood, ranging from warm and grounded to calm and refined. From the beginning, I approached this project not only as a conceptual exploration but also as a scalable product system. The designs are developed to be adaptable to different interior contexts, from residential spaces to hospitality environments, balancing aesthetic depth with production feasibility and commercial relevance.

Trailing Through Time i s a floral pattern collection inspired by my love for flowers and the delicate details found in every stem, leaf, and bloom. enjoy drawing and creating floral patterns, and nature continually provides me with endless inspiration. This collection is influenced by antique botanical paintings and vintage sketches. The beauty of faded colors, aged paper, and hand-drawn illustrations has always fascinated me, inspiring me to create designs that feel both nostalgic and timeless. Much of my inspiration comes from visiting botanical gardens, planting and growing flowers, and simply observing nature during walks. These experiences allow me to appreciate the intricate forms, textures, and movement of flowers. Through this collection, I aim to capture the elegance and charm of florals while celebrating the connection between nature, memory, and the passage of time.

This collection began with memories of slow walks along the shoreline, gathering weathered shells, sea glass softened by the tides, and fragments of ocean botanicals washed ashore by the tide. I was drawn to the quiet details often overlooked: the faded colours of shells bleached by the sun, the intricate textures left by the sea, and the ever-changing patterns created by light and wind dancing across water. Each design was hand painted in watercolor, allowing the pigments to move organically across the paper much like the ebb and flow of the ocean itself. Soft washes, layered textures, and imperfect brushstrokes capture the feeling of salt air, coastal breezes, and the gentle rhythm of waves meeting the shore. The collection brings together painterly interpretations of sea glass, shoreline treasures, and marine botanicals in a palette inspired by coastal mornings and sun-faded seaside landscapes. Sophisticated yet relaxed, timeless yet contemporary, these designs are intended to bring a sense of calm, light, and connection to nature into elegant interiors. More than a collection of patterns, it is a celebration of the simple beauty found at the water's edge and the memories we carry home with us from the sea.

Two Lands, One Garden is a celebration of belonging, connection, and the beauty found between two worlds. Born in India and now calling Australia home, I wanted to create a collection that honours both places through a shared language of nature. The collection brings together Australia’s native flora and fauna—including golden wattle, banksia, cockatoos, koalas, and native birds—with the botanical symbolism, decorative traditions, and timeless elegance of India, represented through lotus blooms, peacocks, ornamental motifs, and palampore-inspired storytelling. Each pattern plays a role in the journey. Hero designs celebrate the richness of wildlife and flowering gardens, coordinates add rhythm and structure inspired by traditional textiles, and blenders provide balance through delicate florals and flowing textures. Gentle Tides symbolises the waters that connect Australia and India, reflecting movement, memory, and the journey between two homes. Designed for curtains, shades, bedding, and home décor, Two Lands, One Garden blends romance, storytelling, and timeless beauty into a collection that invites people to create homes filled with warmth, nature, and meaningful connection. More than a collection of patterns, Two Lands, One Garden is a personal story woven through flora, fauna, and memory—a tribute to where I come from, where I belong, and the beautiful garden that exists between the two.